Embracing the Centennial in Balboa Park: Trolley Dances and the Digital Art Guild

The San Diego Union Tribune featured 100 stories about Balboa Park to illustrate the 100 years (and memories) of the Park. 

I'm not sure whether other media have chimed in on what makes this Centennial special. Not to mention that we have three months left in the year. There are many other worthy events that add to the Centennial celebration. 

I mention only two. I invite you to add your own nominees to this bouquet of provocative and imaginative displays.

At this time of year in San Diego, we are inspired by the San Diego Dance Theater's Trolley Dances. And this year, nearly all of the dances are in Balboa Park -- from the Zoo Centennial Walkway and Spanish Village to the famous Moreton Bay Fig Tree and the Mingei Museum.

Jill Rowe / Immigrants / featured in the Digital Art Guild's exhibit at Gallery 21

Trolley Dances at Spanish Village / Balboa Park / Back to Front / Choreographer: Mark Haim

The Trolley Dances appearance in Balboa Park certainly qualifies it as the 101st memory - spontaneity, creative use of park space both in open areas as well as in the Mingei Museum, performance in favorite places, and surprise.

The Trolley Dances performed for two weekends - at the end of September and the beginning of October - beginning at the San Diego County Waterfront Park and ending at the Mingei Museum in Balboa Park.

Trolley Dances

The Trolley Dances, performed by the San Diego Dance Theater, has been part of San Diego's cultural landscape now in its 17th annual season.  The concept embraces the urban environment: "Bring dance to the people using public transportation and introduce audiences to new neighborhoods and experiences." 
 

Trolley Dances at San Diego Zoo Centennial Walkway / Balboa Park /  Become Ocean / Choreographer: Jean Isaacs

Trolley Dance at Moreton Bay Fig Tree / Balboa Park /  Roots, Soul, and Love! / Choreographer: Suzanne Forbes-Vierling

Trolley Dances at the Mingei Museum / Balboa Park /  Giving Way / Choreographer: Anne Gehman

And more:  The Trolley Dances at the Waterfront

The dances take the audience to different locations to experience the dances in a variety of urban contexts. This year the starting point was the San Diego County's Waterfront Park (which was formerly two large parking lots on either side of the County Administration building).

Trolley Dances at San Diego County Water Front Park, North Fountain Reflecting Pool / Play(as):  Choreographer: Stephan Koplowitz

Trolley Dances at County Waterfront Park / Blue Stillness / Choreographer: Liv Isaacs-Nollet

If one digs back into the history of Balboa Park, back to 1915-16, one can see the spirit of fanciful design already at work. A.J. Roberts' painted a gondola-filled lagoon with the Park's memorable bridge and California Tower in the background. The painting is now on exhibition at the San Diego History Center. 

That same sense of imagination is reflected in the 102nd memory of the Balboa Park Centennial - the Digital Art Guild's Looking Back, Looking Forward exhibit opening on November 4th at Gallery 21 in Spanish Village.


Digital Art Guild at Gallery 21/Spanish Village

What makes Balboa Park special? Yes, there are the institutional museums, theaters and amazing outdoor organ pavilion.

But there are those smaller niche spaces that invite discovery for the millions that come to the park.

One of those spaces is Spanish Village. Amongst the individual artist studios is Gallery 21. This space hosts a variety of art groups and individual artists - part of an annual juried process.

The Digital Art Guild considered how its exhibit might celebrate Balboa Park's Centennial. There are parks on Alpha Centauri (yes, digital art was borne of varied interests including fantasy and sci-fi, but also ways of reinventing traditional art styles).
  
How best to keep an open mind about the park? The Guild decided on a theme of looking forward, looking back - providing a sense of continuity from the deep past into the unknown future.

Looking Back, Looking Forward provokes the visitor to imagine what the park has been, what it is and what it might be.

The Digital Art Guild exhibit runs from November 4 to November 16, 2015.   

Open daily from 11 am to 4 pm. Artist reception, Saturday, November 7th from noon to 4 pm.

Tony Velez / Games of Emotion (Left) / John Valois / Park Muse (Right)

What comes to mind for a digital artist? Perhaps not that different from what many artists experience - though the tools and style may.

Tony Velez speaks for many of us:   "I am passionate about light, color, nature, music, and love. The artwork that I create is balanced against the hectic pace of my work and reflects my own personal journey of soul recovery and spiritual development. An unusual life creates an unusual artist. I take chances and ask you to feel something inside as you reflect on my pieces. I love what I do.  .  ."

Robert Pendleton / Wish You Were Here  (Upper); Charlie Anne Breese / Spinning Fire (Lower)

Richard ChauDavis with ACE / I See You (Left); Ron Belanger / Bowling at New Balboa Park (Right)

Having been a digital artist for more than a dozen years, I have been thinking about extending 2D flat images - those paintings, prints and photographs - into the ever popular dance video. Over the past six months or so, I've produced two such videos (yes, with much help from others). Both deal with the Genesis story about the first man and first woman. We are quick to say Adam and Eve, but there are myths about another woman before Eve, namely, Lilith. I've played with a conversation between Eve and Lilith - sometimes with Adam and sometimes without. Both videos will be shown at the Looking Back, Looking Forward exhibit. 

You might wonder whether I've taken more poetic license than I should:  Isn't this exhibit about Balboa Park?  Well, for us, that is our own Eden, our own Garden. We can only imagine what happened on these grounds before and the conversations that emerged.

Joe Nalven / What Becomes Eden (premiere) / screen shot of dance video at Gallery 21

 

Buhm Hong Awarded Digital Art Guild Prize at SDAI 2015 International Exhibit

The 53rd San Diego Art International Exhibition for 2015 awarded Buhm Hong the Digital Art Guild Prize. 

As one walks into the SDAI entryway, about to descend to the lower level gallery, one senses the presence of Hong's memory-like animation on the wall space immediately across the open space.

It is a challenge to present the animation with the ambient lighting. Nevertheless, the imagery tugs at one's curiosity. Here are two samples of the animated flow.

Buhm Hong / Panoramic still from animation:  Floating Dreams
medium : Cinema 4D, HD projectors, media player, speaker; size : 1920 X 1080 (pixel); date : 2014

Joe Nalven: I imagine that most viewers will stand in amazement, wondering how this video came into being. Would you share your process with the readers?

Buhm Hong: Let me talk about the process of making a video work 'Floating Dreams' briefly. I took photographs of the wallpapers from the houses of redevelopment areas and used for the backgrounds of the video. The lights of window frames were made by a 3D program 'Cinema 4D' that simulates the movements of the lights and the shapes  of the houses.

Thinking of abandoned and vanished towns and houses, I tried to draw the living memories within. I scanned the drawings and through the post productions in computer, they appear and disappear with moving lights.

In this exhibition, I projected to a wall of the gallery space. I aimed to show an optical illusion as if the light comes from outside with a constant changes of walls and drawings.

Buhm Hong / Details from 12 minute animation Floating Dreams

Hong describes his art-video-animation journey: 

"Memories continuously shape our worldview, including our perception of real and imagined spaces. My multidisciplinary practice is an attempt to understand how people accept new and strange places, including the liminal space between “being there” and “being here”. I focus on the origin of consciousness that can connect two disparate yet related places through fragmented, stream-of-consciousness thoughts that gradually form organic structures such as pipes and mirrors. I work across various artistic platforms including video, sculpture, installation, and drawing to express remnants of multi-layered memories that become landscapes of my profound imagination. I create spaces that seem to exist only in our subconscious—places that are simultaneously nostalgic and utterly foreign. I concretize my ideas regarding the structure of memories in the three-dimensional world, often utilizing organic and industrial imagery such as pipes and mirrors, intertwined with labyrinthine elaborateness. The pipes serve as a conduit for the flow of memories, while the mirrors’ poignant reflections constantly change through the shadows of the pipes, forming an infinite loop of faded recollections."

To get a sense of Hong's animation style, visit his Floating Dreams.

Artist at work / Buhm Hong setting up projector

Also on display at the rear of the gallery is 5 Rooms.

The exhibition was juried by juried by David A. Ross.

Nb. The color variation in the selected details from the animation resulted from the image editing process. Joe Nalven